{"id":6784,"date":"2023-03-09T18:20:34","date_gmt":"2023-03-09T21:20:34","guid":{"rendered":"https:\/\/galeriacavalo.com\/?post_type=artista&#038;p=6784"},"modified":"2023-06-30T16:44:18","modified_gmt":"2023-06-30T19:44:18","slug":"eustaquio-neves","status":"publish","type":"artista","link":"https:\/\/galeriacavalo.com\/en\/artista\/eustaquio-neves\/","title":{"rendered":"Eust\u00e1quio Neves"},"content":{"rendered":"<p>Neves is a photographer and video artist who graduated in chemistry in 1980. Since 1989, he has been researching different techniques for manipulating negatives and copies. Over the last years he has been exploring the world of electronics, including complex components such as sequencing and movement. Neves\u2019s work has been widely exhibited at shows in Brazil and in other countries.He has displayed his work at the Imaginary Line Video Workshop in Lagos, Nigeria, directed the documentary Caxamorra with Lilian A. Oliveira, and wrote and directed the experimental video Dead Horse for the Edital Film Festival in Minas, Brazil.<\/p>\n<p>&nbsp;<\/p>\n<p>2022<br \/>\nCorpo e Alma, galeria Cavalo, Rio de Janeiro, Brazil<\/p>\n<p>Other ships, Sesc Ipiranga, S\u00e3o Paulo, Brazil<\/p>\n<p>&nbsp;<\/p>\n<p>2020<br \/>\nExhibition African Cosmologies: Time, and the Others; FOTOFEST &#8211; Houston\/ TX;<\/p>\n<p>Book: Aberto Pela Aduana &#8211; Ita\u00fa Rumos<\/p>\n<p>&nbsp;<\/p>\n<p>2019<br \/>\nPr\u00eamio Bolsa de Fotografia REVISTA ZUM IMS;<\/p>\n<p>Exhibition &#8211; Aberto pela Aduana &#8211; Museu Afro Brasil, S\u00e3o Paulo\/ SP;<\/p>\n<p>&nbsp;<\/p>\n<p>2018<br \/>\nAFRICAMERICANOS &#8211; Centro de la Imagen &#8211; CDMX;<\/p>\n<p>Exhibition &#8211; Aberto pela Aduana &#8211; Museu Afro Brasil, S\u00e3o Paulo\/ SP;<\/p>\n<p>&nbsp;<\/p>\n<p>2017<br \/>\nLetter to the Sea &#8211; International Discoveries VI, FOTOFEST, Houston, TX;<\/p>\n<p>&nbsp;<\/p>\n<p>2016<br \/>\nExhibition Arquivo Ex Machine, Itau Cultural, S\u00e3o Paulo\/ Brazil<\/p>\n<p>Exhibition Letter to the Sea Brazil Afro-Museum, S\u00e3o Paulo\/ Brazil<\/p>\n<p>&nbsp;<\/p>\n<p>2015<br \/>\nExhibition &#8211; Letter to the Sea &#8211; FOTORIO\/ RJ,\/Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p>2014<br \/>\nExhibition, 3\u00ba Biennial of Bahia\/ Salvador\/ Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p>2013<br \/>\nPHOTO ESPANHA\/ BRASIL SESC CONSOLA\u00c7\u00c3O\/ SP;<\/p>\n<p>III Forum Latin &#8211; American Forum of Photography &#8211; S\u00e3o paulo\/ Brazil;<\/p>\n<p>Exhibition &#8211; AFRO-BRAZIL, Brazilian Photography, IFA Galerie\/ Stuttgart\/ German;<\/p>\n<p>&nbsp;<\/p>\n<p>2012<br \/>\nMythologies: Brazilian Contemporary Photography &#8211; Shiseido Gallery &#8211; Tokio\/ Japan;<\/p>\n<p>Exibition &#8211; Drag\u00e3o do Mar &#8211; Fortaleza\/ Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p>2011<br \/>\nExbition &#8211; Langhans Galerie Praha- Prague\/ Czech Republic<\/p>\n<p>&nbsp;<\/p>\n<p>2010<br \/>\nExhibition &#8211; Worldwide Festival of Arts and Black Culture \u2013 Dakar\/ Senegal<\/p>\n<p>&nbsp;<\/p>\n<p>2009<br \/>\nVideo Workshop \u201cLinha Imagin\u00e1ria\u201d, Lagos Nig\u00e9ria;<\/p>\n<p>Video Workshop de video no 1\u00b0 SP Photofest, SP;<\/p>\n<p>&nbsp;<\/p>\n<p>2008<br \/>\nIDENTIDADES CONTRAPOSTAS \u2013 Instituto Tomie Ohtake, SP\/ Brazil;<\/p>\n<p>Mozambique Triangle Workshop, Mo\u00e7ambique\/ \u00c1frica;<\/p>\n<p>Exhibition &#8211; \u201cMadrid Mirada\u201d, Madrid\/ Espain;<\/p>\n<p>&nbsp;<\/p>\n<p>2007-2008<br \/>\nDirigiu o Document\u00e1rio \u201cCaxamorra\u201d de Lilian Aparecida Oliveira, contemplado no edital do FILME EM MINAS;<\/p>\n<p>&nbsp;<\/p>\n<p>2007<br \/>\nC International Photo Magazine, Exhibition., Phillips de Pury &amp; Company, NY;<\/p>\n<p>16\u00ba Festival of Electronic Media, Video Brasil SESC, SP\/ Brazil;<\/p>\n<p>Exhibition &#8211; Paraty em Foco \u2013 Zoom Gallery, Paraty\/ RJ\/ Brazil;<\/p>\n<p>Meeting Between Two Seas. Biennial of S\u00e3o Paulo\/ Valencia, FUNDACI\u00d3N DE LA C.V BIENAL DE LAS ARTES;<\/p>\n<p>&nbsp;<\/p>\n<p>2006<br \/>\nC International Photo Magazine, FNAC L\u00b4Llla, Barcelona\/ Espain;<\/p>\n<p>C International Photo Magazine, Moscow House of Phtography, The Sixth International Photography Month in Moscow;<\/p>\n<p>Exhibition &#8211; Others Ships &#8211; FNAC Bras\u00edlia, DF\/ Brazil;<\/p>\n<p>Exhibition &#8211; Others Ships &#8211; FNAC Rio de Janeiro, RJ\/ Brazil;<\/p>\n<p>Exhibition &#8211; Others Ships &#8211; FNAC Curitiba, PA\/ Brazil;<\/p>\n<p>Others Ships &#8211; FNAC, S\u00e3o Paulo\/ Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p>2005<br \/>\nExhibition &#8211; C PHOTO MAGAZINE, Yvory Press, London;<\/p>\n<p>1\u00ba Show Pan_African of Contemporary Art, V\u00eddeo Installation, Salvador\/ Bahia\/ Brazil;<\/p>\n<p>EXHIBITION MAPAS ABIERTOS &#8211; Fototeca de Nuevo Le\u00f3n, Monterrey, M\u00e9xico; http:\/\/www.fotografosdenuevoleon.com.mx\/primero.html;<\/p>\n<p>Amos Anderson Museum, Helsinki, Finlandia;<\/p>\n<p>&nbsp;<\/p>\n<p>2004<br \/>\nExhibition &#8211; Mapas Abiertos \u2013 Latinamerican Photography 1991-2002 &#8211; Palau de la Virreina\/ Barcelon and Fudaci\u00f3n Telef\u00f3nica\/ Madrid, Spain;<\/p>\n<p>Exhibition &#8211; Objetiza\u00e7\u00e3o do Corpo \u2013 Maria Gallery, Diamantina, MG;<\/p>\n<p>Photofesta &#8211; II International Meeting of Photography &#8211; Maputo\/ \u00c1frica;<\/p>\n<p>Exhibition of the Porto Seguro Photography Award, S\u00e3o Paulo\/ Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p>2003<br \/>\nOrdination and Vertigo &#8211; Cultural Center of Brazil Banc, S. Paulo\/ Brazil;<\/p>\n<p>5\u00ba Rencontres de la Photographie Africaine, Bamako \u2013 Mali, Africa;<\/p>\n<p>Ordination and Vertigo &#8211; Cultural Center of Brazil Banc, S. Paulo\/ Brazil;<\/p>\n<p>Exhibition &#8211; Labyrinth and Identity photography in the Brazil 1945- 1998, UNIVERSITARY CENTER OF USP, MARIANTONIA, S\u00e3o Paulo\/ Brazil;<\/p>\n<p>Calcio del Rigore &#8211; Instituto Italo-Latino Americano, Roma\/ Italy;<\/p>\n<p>&nbsp;<\/p>\n<p>2002<br \/>\nThe Body, Centro Cultural Center of MG Federal University, BHZ\/ MG\/ Brazil;<\/p>\n<p>Exhibition &#8211; \u201dMemory\u201d &#8211; Centre R\u00e9gional de la Photographie &#8211; Nord pas de Calais\/ France;<\/p>\n<p>Mundos Creados &#8211; Noorderlicht Fotomanifestatie Friesland\/ Holland;<\/p>\n<p>&nbsp;<\/p>\n<p>2001<br \/>\nExhibition &#8211; Espace image &amp; Form Gallery &#8211; NAFOTO, S\u00e3o Paulo\/ Brazil;<\/p>\n<p>Exhibition &#8211; Cultural Contemporary Espace Ven\u00e2ncio, (ECCO), Brasilia\/ DF;<\/p>\n<p>Memory of the Body &#8211; Gallery of the Arts Center of the Funarte, Rio de Janeiro\/ Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p>2000<br \/>\nLatin American Photographs, New Viewpoints: The University of Texas at San Antonio, Visual Arts Gallery Presents\/ TX;<\/p>\n<p>Exhibition &#8211; Sicardi Gallery, Houston\/ TX;<\/p>\n<p>&nbsp;<\/p>\n<p>1999<br \/>\n\u201cFotografia de la Esperanza\u201d, Benham Studio Gallery, Seattle\/ Washington;<\/p>\n<p>\u201cElogio de la Pasion\u201d, C\u00edrculo de Bellas Artes, (PHE99), Madrid\/ Espain;<\/p>\n<p>\u201cBrazilian Photography 1946-1998 Labyrinth and Identities\u201d, Kunstmuseum, Wolfsburg\/ German;<\/p>\n<p>\u201cLatin Americana\u201d, Spaziofoto, Milano\/ Italy;<\/p>\n<p>\u201cRealmaravilloso\u201d Centro culturale Cascina Grande, Milano\/ Italy;<\/p>\n<p>\u201cJ. P. Morgan Photography Awards\u201d, Modern Art Museum of S. Paulo\/ Brazil;<\/p>\n<p>Exhibition &#8211; Cear\u00e1 Museum, Fortaleza\/ Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p>1998<br \/>\nFotofest, Seventh International Month of Photography, Houston\/ TX;<\/p>\n<p>Exhibition &#8211; Rediscovery, Brazil+500\u201d, Pinacoteca of the S\u00e3o Paulo Estate\/ Brazil;<\/p>\n<p>\u201cBrazilian Photography 1946-1998,Labyrinth and Identities\u201d, Funda\u00e7\u00e3o Dr. Antonio Cupertino de Miranda, Porto\/ Portugal;<\/p>\n<p>Exhibition &#8211; Jogadas: Conduites de Balle, Fuji Gallery, S\u00e3o Paulo\/ Brazil;<\/p>\n<p>Exhibition &#8211; Jogadas: Conduites de Balle, Regional Centre Regional de la Photographie Nord Pas-de-Calais\/ France;<\/p>\n<p>II Bienal Internacional de Fotografia de Curitiba;<\/p>\n<p>&#8220;Anthology of the African Photography and the Diaspora&#8221;, Pinacoteca of the S\u00e3o Paulo State\/ Brazil;<\/p>\n<p>&#8220;Anthology of the African Photography and the Di\u00e1spora&#8221;, Maison Europeenn Photographie\/France;<\/p>\n<p>Religiosity and Art in Brazil, Pinacoteca of S\u00e3o Paulo; State\/ Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p>1997<br \/>\nExhibition &#8211; Lo Individuo y su Memoria, VI biennial of Havana\/ Cuba;<\/p>\n<p>II Biennial of Tokyo &#8211; Metropolitan Museum of Photography\/ Japan;<\/p>\n<p>Retrospective Show of the Pirelli\/ Masp Collection, Art Museum of S. S\u00e3o Paulo\/ Brazil;<\/p>\n<p>\u201cRealmaravilloso\u201d Festival of Photography, Move and Literature, Prato\/ Italy;<\/p>\n<p>&nbsp;<\/p>\n<p>1996<br \/>\nNacional Day of Black Consciense, Pinacoteca of S\u00e3o Paulo Estate de S. Paulo\/ Brazil;<\/p>\n<p>\u201cNovas Travessias: New Directions in Brazilian Photography, The Photography Gallery, London\/ UK;<\/p>\n<p>&nbsp;<\/p>\n<p>1995<br \/>\n\u201cFotofagia\u201d &#8211; Art Gallery of the Federal University of Niter\u00f3i\/Brazil;<\/p>\n<p>\u201cFotofagia\u201d &#8211; Photography Gallery of the Funarte, Rio de Janeiro\/ Brazil;<\/p>\n<p>Exhibition &#8211; XV National Show of Art, Ministry of Culture\/ Funarte, Rio de Janeiro\/ Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p>1994<br \/>\nExhibition &#8211; University of Toronto\/ Canada; \u201cBlack Maria\u201d, Installation Photographic, Belo Horizonte\/ Brazil;<\/p>\n<p>\u201cO Construtor\u201d, Ita\u00fa Gallery, Goi\u00e2nia\/ Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p>1993<br \/>\nBrazilian Contemporary Photography, Photo Meeting ,NAFOTO, S\u00e3o Paulo; Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p>1992<br \/>\n\u201cThe Man and the Invironment\u201d, Palace of the Arts, Belo Horizonte\/ Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p>1991<br \/>\nExhibition &#8211; Art Gallery ICBEU, Belo Horizonte\/ Brazil;<\/p>\n<p>Exhibition &#8211; Cultural Center of the Federal University of Minas Gerais\/ Brazil;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>AWARDS<\/strong><br \/>\n2009 Experimental Video \u201cDead Horse\u201d Filme em Minas\/ Secretary of Estate of Culture\/ Brazil;<br \/>\n2007 Videobrasil Award and WBK Vrije Academie, Holland;<br \/>\n2006 ORILAX\u00c9 Award, Afro Reggae Foundation, Rio de Janeiro\/ Brazil;<br \/>\n2005 Prize C Magazine\/ Ivory Press, London\/ UK;<br \/>\n2004 Especial Prize Porto Seguro of Photography, S\u00e3o Paulo\/ Brazil;1999 &#8211; J. P. MORGAN AWARD OF PHOTOGRAPHY, S\u00e3o Paulo\/ Brazil;<br \/>\n1999 Residence Grant at the Gasworks Studios and Triangle Arts Trust with support of the Autograph &#8211; ABP, London\/ UK;<br \/>\n1997 National Prize of Photography of the Ministry of the Culture and Funarte\/ Rio de Janeiro\/ Brazil;<br \/>\n1994 VII Marc Ferrez Award of Photography , Funarte\/ Rio de Janeiro\/ Brazil.<br \/>\n<strong><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Public Collection<\/strong><br \/>\nYvory Press Collection, C Magazine, London\/ UK;<br \/>\nPorto Seguro Collection of Photography\/ S\u00e3o Paulo\/ Brazil;<br \/>\nCollection of the Santos Cultural Institute, S\u00e3o Paulo\/ Brazil;<br \/>\nWorld Bank Collection, Washington\/ DC;<br \/>\nCollection of the Museum of Fine Art of Houston\/ TX;<br \/>\nPirelli Masp Collection of Photography, Art Museum of S\u00e3o Paulo\/ Brazil;<br \/>\nCollection of Cuba Fototeca, Havana\/ Cuba;<br \/>\nCollection of Photography of the Funarte, Rio de Janeiro\/ Brazil;<br \/>\nJ. P. Morgan Collection, S\u00e3o Paulo\/ Brazil;<br \/>\nCollection of the Modern Art Museum of S\u00e3o Paulo\/ Brazil;<br \/>\nCollection of the Afro-Brazil Museum, S\u00e3o Paulo\/ Brazil;<br \/>\nJoaquim Paiva Collection, Rio de Janeiro\/ Brazil;<br \/>\nCollection of the Regional Center of Photography, Pas-de-Calais\/ France;<br \/>\nCollection of the Cultural Institute Ita\u00fa, S\u00e3o Paulo \/ Brazil.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Lectures and workshops<\/strong><br \/>\n2009<br \/>\nWorkshop &#8211; SP PHOTOFEST, S\u00e3o Paulo, SP;<br \/>\nWorkshop \u2013 Video Workshop \u201cLinha Imagin\u00e1ria\u201d, Lagos Nig\u00e9ria;<\/p>\n<p>&nbsp;<\/p>\n<p>2008<br \/>\nOpen class \u2013 Festival de Fotografia de Atibaia, SP;<br \/>\nOpen class &#8211; CENTRO CULTURAL DA JUVENTUDE, SP;<br \/>\nV\u00eddeo Workshop\u00a0 CENA ABERTA: INVENT\u00c1RIO DE MEM\u00d3RIAS, 40\u00ba Festival de Inverno\/ UFMG;<\/p>\n<p>&nbsp;<\/p>\n<p>2005<br \/>\nLecture, ITAU CULTURAL, S\u00e3o Paulo;<br \/>\nLecture, Fnac, S\u00e3o Paulo;<br \/>\nLecture, Universidade Internacional de Andalucia, Sevilla\/ Espanha;<\/p>\n<p>&nbsp;<\/p>\n<p>2004<br \/>\nWorkshop, Festival de Inverno de Paranapiacaba, (N\u00facleo de Fotografia da Casa do Olhar), SP;<br \/>\nLecture, Audit\u00f3rio do Teatro Municipal de Santo Andr\u00e9;<\/p>\n<p>&nbsp;<\/p>\n<p>2003<br \/>\nWorkshop, XXXV Festival de Inverno da UFMG;<\/p>\n<p>&nbsp;<\/p>\n<p>2002<br \/>\nWorkshop, \u201cImagem Expandida\u201d, Escola de Belas Artes da UFMG, BHZ\/ Brasil;<\/p>\n<p>&nbsp;<\/p>\n<p>2001<br \/>\nPalestra, Museu Imagem e do Som, Bel\u00e9m\/ PA, Brasil;<br \/>\nWorkshop, Fotoativa, Bel\u00e9m\/ PA, Brasil;<br \/>\nParticipou do corpo de jurados do Sal\u00e3o de Pequenos Formatos da Unama (Universidade da Amaz\u00f4nia);<br \/>\nLecture, Museu Lasar Segall, S\u00e3o Paulo, Brasil;<\/p>\n<p>&nbsp;<\/p>\n<p>2000<br \/>\nLecture, SENAC, Faculdade de Fotografia de S. Paulo\/ Brasil;<br \/>\nLecture, \u201cNucleo de Linguagem Fotogr\u00e1fica\u201d, SESC Pomp\u00e9ia, S\u00e3o Paulo\/ Brasil;<br \/>\nWorkshop, XXXII Festival de Inverno da Universidade Federal de Minas Gerais\/ Brasil;<br \/>\nLecture, Sicardi Galery, Houston\/TX;<\/p>\n<p>&nbsp;<\/p>\n<p>1999<br \/>\nLecture, University of Essex\/ UK;<br \/>\nLecture, London College of Printing\/ Londres;<br \/>\nLecture, Gasworks Studios, Londres;<br \/>\nOpen Studios, Gasworks Studios, Londres;<\/p>\n<p>&nbsp;<\/p>\n<p>1997<br \/>\nWorkshop, XXIX Festival Inverno da Universidade Federal de Minas Gerais\/ Brasil;<\/p>\n<p>&nbsp;<\/p>\n<p>1996<br \/>\nWorkshop, Photofusion Center, Londres;<br \/>\nWorkshop, Hackney Community College, Londres.<br \/>\n<strong><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Collective Publications<\/strong><br \/>\n2008<br \/>\nCatalog &#8211; Mostra MADRID MIRADA, Madrid\/ Espanha;<\/p>\n<p>&nbsp;<\/p>\n<p>2006<br \/>\nWebsite &#8211; HYPERLINK &#8220;http:\/\/www.autograph-abp.co.uk&#8221;www.autograph-abp.co.uk, (portfolio e biografia);<\/p>\n<p>&nbsp;<\/p>\n<p>2005<br \/>\nMagazine &#8211; C Magazine, Londres; Cat\u00e1logo &#8211; I Mostra Pan_Africana de Arte Contempor\u00e2nea, Salvador\/ BA;<\/p>\n<p>&nbsp;<\/p>\n<p>2004<br \/>\nCatalog \u2013 \u201cMapas Abiertos\u201d, Barcelona\/ Espanha;<br \/>\nCatalog \u2013 Pr\u00eamio Porto Seguro de Fotografia, S\u00e3o Paulo;<br \/>\nCatalog &#8211; II encontro Internacional de Fotografia Maputo\/ \u00c1frica;<br \/>\nMagazine \u2013 Fotosite n\u00ba 2, S\u00e3o Paulo;<\/p>\n<p>&nbsp;<\/p>\n<p>2003<br \/>\nCatalog &#8211; Ordena\u00e7\u00e3o e Vertigem, CCBB, S\u00e3o Paulo;<br \/>\nCatalog &#8211; 5 Rencontres de la Photographie Africaine, Africa;<br \/>\nCatalog &#8211; Calcio de Rigore, Italia Direitos de uso de imagem cedidos para o programa \u201cReflecting Sking\u201d &#8211; BBC4, Londres;<br \/>\nCatalog- Labirintos e Identidade, Cosac &amp; Naify;<\/p>\n<p>&nbsp;<\/p>\n<p>2002<br \/>\nBook- &#8220;BLINK&#8221;, Phaidon Press, Londres;<br \/>\nBook \u2013 \u201cVis\u00f5es e Alumbramentos\u201d, fotografia contempor\u00e2nea na cole\u00e7\u00e3o Joaquim Paiva\/ Brasilconnects;<br \/>\nCatalog &#8211; &#8220;Mundos Creados&#8221;, Holanda;<br \/>\nMagazine &#8211; COYTE 02, Londrina\/ PR;<br \/>\nBook \u201cFotografia Expandida\u201d da tese de doutorado do curador e pesquisador de fotografia Rubens Fernandes Junior;<\/p>\n<p>&nbsp;<\/p>\n<p>2001<br \/>\nBook &#8211; \u201cDifferent\u201d, Phaidon Press , Londres;<br \/>\nBook &#8211; Facing up to the Past &#8211; Perspectives on the Commemoration of the Slavery from Africa, the America and Europe &#8211; Holanda;<br \/>\nMagazine &#8211; Casa do Vaticano n 04;<\/p>\n<p>&nbsp;<\/p>\n<p>2000<br \/>\nBook &#8211; Imagens da Fotografia Brasileira II, ed. SENAC, SP;<br \/>\nCatalog &#8211; Poss\u00edveis imagens: fotografia contempor\u00e2nea, VI Semana de Arte de Londrina;<br \/>\nCatalog &#8211; Centro Portugu\u00eas de Fotografia, n 5, Porto\/ Portugal;<br \/>\nCatalog &#8211; Mostra do Redescobrimento Brasil+500; Revista &#8211; Sexta-Feira n 5, SP;<\/p>\n<p>&nbsp;<\/p>\n<p>1999<br \/>\nCatalog &#8211; &#8220;Mind the Gas&#8221;, South American Residencies Publication, Gasworks\/ Londres;<br \/>\nCatalog &#8211; PR\u00caMIO J. P. MORGAM DE FOTOGRAFIA, SP; Revista PHOTO, edi\u00e7\u00e3o Italiana n28, It\u00e1lia;<br \/>\nCatalog &#8211; &#8220;Elogio de la Pasion&#8221;, Photo Espanha 99, Madri\/ Espanha;<br \/>\nBook &#8211; Brazilian Photography 1946-1998: Labirinto e Identidades, Alemanha;<br \/>\nMagazine &#8211; Infos Br\u00e9sil, n\u00ba 152, Fran\u00e7a; Revista &#8211; PALAVRA n\u00ba 1, BHZ\/ MG;<\/p>\n<p>&nbsp;<\/p>\n<p>1998<br \/>\nBook &#8211; Antologia da Fotografia Africana e a Di\u00e1spora, Pinacoteca\/ SP;<br \/>\nCatalog &#8211; &#8220;Jogadas &#8211; Conduites de balle&#8221;, Brasil\/ Fran\u00e7a;<br \/>\nCatalog &#8211; Fotofest 98, Houston\/ TX;<br \/>\nMagazine &#8220;Caros Amigos&#8221;, www.carosamigos.com.br;<\/p>\n<p>&nbsp;<\/p>\n<p>1997<br \/>\nCatalog &#8211; VI Bienal de Havana\/ Cuba;<br \/>\nCatalog &#8211; II Biennial of Tokyo Metropolitan Museum of Photography, Tokyo\/ Jap\u00e3o;<br \/>\nMagazine &#8211; Paparazzi, SP; CD-ROM, Autogarph, Londres;<\/p>\n<p>&nbsp;<\/p>\n<p>1996<br \/>\nCatalog &#8211; VI Cole\u00e7\u00e3o Pirelli\/Masp de Fotografia, SP;<br \/>\nBook &#8211; &#8220;Novas Travessias: Contemporary Brazilian Photography;<br \/>\nmagazine &#8211; Revue Noire &#8211; Contemporary African Art\/ Fran\u00e7a;<\/p>\n<p>&nbsp;<\/p>\n<p>1994<br \/>\nMagazine &#8211; Luna C\u00f3rnea, M\u00e9xico;<br \/>\nBook &#8211; &#8220;Cenas de Belo Horizonte&#8221;, BHZ\/ MG.<br \/>\n<strong><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Publica\u00e7\u00f5es Individuais<\/strong><br \/>\n2022 Book &#8211; Aberto pela Aduana, Editora Origem, SP;<br \/>\n2005 Book &#8211; Fotoport\u00e1til, CosacNaify, SP;<br \/>\n1998 Catalog &#8211; Museu do Cear\u00e1, Fortaleza\/ CE;<br \/>\n1997 Catalog &#8211; &#8220;Arte e Religiosidade no Brasil&#8221;, Pincoteca, SP;<br \/>\n1996 Catalog &#8211; &#8220;Eust\u00e1quio Neves Monograph&#8221;, Autograph\/ Londres;<\/p>\n","protected":false},"featured_media":6759,"template":"","class_list":["post-6784","artista","type-artista","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Eust\u00e1quio Neves &#8902; Cavalo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galeriacavalo.com\/en\/artista\/eustaquio-neves\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Eust\u00e1quio Neves &#8902; Cavalo\" \/>\n<meta property=\"og:description\" content=\"Neves is a photographer and video artist who graduated in chemistry in 1980. Since 1989, he has been researching different techniques for manipulating negatives and copies. Over the last years he has been exploring the world of electronics, including complex components such as sequencing and movement. 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