{"id":5470,"date":"2020-03-07T19:37:32","date_gmt":"2020-03-07T22:37:32","guid":{"rendered":"https:\/\/galeriacavalo.com\/?post_type=artista&p=5470"},"modified":"2023-04-12T12:21:06","modified_gmt":"2023-04-12T15:21:06","slug":"vijai-patchineelam2","status":"publish","type":"artista","link":"https:\/\/galeriacavalo.com\/en\/artista\/vijai-patchineelam2\/","title":{"rendered":"Vijai Maia Patchineelam"},"content":{"rendered":"

Selected Solo Exhibitions<\/strong><\/p>\n

 <\/p>\n

2017<\/p>\n

od danas do sjutra, Cavalo, Rio de Janeiro<\/p>\n

 <\/p>\n

2015<\/p>\n

Como documentar a imagem do protesto Como projetar a imagem de protesto, CCSP, Centro Cultural S\u00e3o Paulo, Brasil<\/p>\n

Resistir o passado, ignorar o futuro e a incapacidade de conter o presente,\u00a0MAM, Rio de Janeiro.<\/p>\n

 <\/p>\n

2014<\/p>\n

Aquilo que passa n\u00e3o te pertence, o que fica e n\u00e3o \u00e9 nada,\u00a0Workshop Gallery, Beirute, L\u00edbano.<\/p>\n

 <\/p>\n

2013<\/p>\n

Ataques Selvagens de Cinismo, Galeria Ignacio Liprandi, Buenos Aires, Argentina.<\/p>\n

Cut Corner, Galeria Seven Art, Nova Delh\u00ed, \u00cdndia.<\/p>\n

 <\/p>\n

2010<\/p>\n

Um Par de Pulm\u00f5es \u2013 A Falta de F\u00e9, Galeria Seven Art, Nova D\u00e9lhi.<\/p>\n

 <\/p>\n

2008<\/p>\n

Frame Series. Galeria Bombay Art. Mumbai, \u00cdndia.<\/p>\n

 <\/p>\n

Selected Group\u00a0Exhibitions and Video Sessions<\/strong><\/p>\n

 <\/p>\n

2016<\/p>\n

Gentrify Everything!, BORG 2016, Antwerp, Belgium.<\/p>\n

Diagonal Noise, Castelfield Gallery, Manchester, UK.<\/p>\n

Exposi\u00e7\u00e3o inaugural, Galeria Cavalo, Rio de Janeiro, Brazil.<\/p>\n

 <\/p>\n

2015<\/p>\n

Have you seen our house?, Mo.\u00eb Vienna, Austria.<\/p>\n

Transcultural Emancipation, Fluc, Vienna, Austria.<\/p>\n

Sudden Shifts met Karl Mascara, Paris-Texas, Antu\u00e9rpia, B\u00e9lgica.<\/p>\n

Poppositions, Brussels, B\u00e9lgica. Junto ao collectivo Francis.<\/p>\n

Love will tear us apart, Hal Antwerp, B\u00e9lgica.<\/p>\n

 <\/p>\n

2014<\/p>\n

Konst i Industrilandskapet, Museum of Forgetting, Norrkoping AIR, Norrkoping, Su\u00e9cia.<\/p>\n

Sess\u00e3o, Norrk\u00f6pings Konstmuseum, Su\u00e9cia.<\/p>\n

Van Eyck Open Studios, Jan van Eyck Academie, Maastricht, Pa\u00edses Baixos.<\/p>\n

Boletim, Sesc S\u00e3o Carlos, S\u00e3o Paulo, Brasil. Curador: Paulo Miyada.<\/p>\n

Some Profound Misunderstanding at the Heart of What Is, HEDAH, Maastricht.<\/p>\n

 <\/p>\n

2013<\/p>\n

Selecci\u00f3n de Siart IIIV, Fundaci\u00f3n Sim\u00f3n I. Pati\u00f1o, Cochabamba, Bolivia.<\/p>\n

18\u00ba Festival Internacional de Arte Contempor\u00e2nea Sesc, Videobrasil, S\u00e3o Paulo.<\/p>\n

Territorios Inestables, IIIV Bienal Internacional de Arte SIART, La Paz, Bolivia. Curador: Sandra de Berduccy e Jos\u00e9 Bedoya<\/p>\n

Deus N\u00e3o Surfa, Rio de Janeiro. Curadores: Marta Mestre e Santiago Garcia Navarro<\/p>\n

Convite \u00e0 Viagem \u2013 Rumos Artes Visuais, Pa\u00e7o Imperial. Rio de Janeiro.<\/p>\n

Boletim, Galeria Millan, S\u00e3o Paulo. Curador Paulo Miyada.<\/p>\n

 <\/p>\n

2012<\/p>\n

Sarai Reader 09: The Exhibition (Epis\u00f3dios 1 e 2), Devi Art Foundation, Nova Delh\u00ed. Curador: RAQs Media Collective.<\/p>\n

\u00c0 Deriva \u2013 Rumos Artes Visuais, MAJ, Joinville. Curadores: Felipe Scovino, Sanzia Pinheiro e J\u00falio Martins.<\/p>\n

\u00c9 preciso confrontar as imagens vagas com os gestos claros, Oficina Cultural Oswaldo de Andrade, S\u00e3o Paulo. Curador: Paulo Miyada.<\/p>\n

Cinema Aterrado. JA.CA Art and Technology Center. Jardim Canad\u00e1, Brasil.<\/p>\n

A Casa Visita : Intermeios \u2013 casa de arte e livros, S\u00e3o Paulo. Curador: Galciani Neves.<\/p>\n

Sess\u00e3o Tormentaa. Plano B, Rio de Janeiro.<\/p>\n

Convite \u00e0 Viagem \u2013 Rumos Artes Visuais, Ita\u00fa Cultural. S\u00e3o Paulo.<\/p>\n

 <\/p>\n

2011<\/p>\n

Brev(e), Casa Ramalhete. Belo Horizonte. Curador: Marina Noronha.<\/p>\n

Konstfack V\u00e5rutst\u00e4llning, Konstfack University College of Arts, Crafts and Design. Estocolmo. Curador: Gustaf Nordenski\u00f6ld.<\/p>\n

Unfinished Analogies, Centrifugue Konsthall C, Stockholm. Curador: Jacquelyn Davis.<\/p>\n

Conviv\u00eancias, Funda\u00e7\u00e3o Iber\u00ea Camargo, Porto Alegre. Curador: Jailton Moreira.<\/p>\n

Latidos Urbano. Museu de Arte Contempor\u00e2neo, Santiago, Chile.<\/p>\n

 <\/p>\n

2010<\/p>\n

Scratch. Lalit Kala Akademi, Nova D\u00e9lhi.<\/p>\n

Ovdje Se Slovom Nitko Ne Bavi. AKC Medika, Zagreb, Cro\u00e1cia.<\/p>\n

Abre Alas 6, A Gentil Carioca, Rio de Janeiro. Curadores: Beatriz Lemos, Felipe Scovino e Guga Ferraz.<\/p>\n

 <\/p>\n

2009<\/p>\n

Moment as Monument. Travancore Palace, New D\u00e9lhi.<\/p>\n

Trajet\u00f3rias em Processo, Galeria Anita Schwartz, Rio de Janeiro. Curador:\u00a0Guilherme Bueno.<\/p>\n

Back, Fourth and Round About, Galeria Thomas Erben, New York.<\/p>\n

 <\/p>\n

2008<\/p>\n

Zoation Painting, Museo Nacional de Arte, La Paz.<\/p>\n

 <\/p>\n

2007<\/p>\n

V Bienal Internacional de Arte SIART, La Paz.<\/p>\n

 <\/p>\n

Research grants and Awards<\/strong><\/p>\n

 <\/p>\n

2013<\/p>\n

Bolsa de Interc\u00e2mbio e Difus\u00e3o Cultural, MinC, Bras\u00edlia.<\/p>\n

 <\/p>\n

2011<\/p>\n

Rumos Artes Visuais, Ita\u00fa Cultural, S\u00e3o Paulo.<\/p>\n

Bolsa de Interc\u00e2mbio e Difus\u00e3o Cultural, MinC, Bras\u00edlia.<\/p>\n

 <\/p>\n

2008<\/p>\n

Bolsa Funda\u00e7\u00e3o Iber\u00ea Camargo<\/p>\n

 <\/p>\n

2007<\/p>\n

Pr\u00eamio Uni\u00e3o Latina, V Bienal Internacional de Arte SIART, La Paz.<\/p>\n

\u00a0<\/u><\/p>\n

Education<\/strong><\/p>\n

 <\/p>\n

2016 \u2013 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0PhD in Practice at the Koninklijke Academie voor Schone Kunsten Antwerpen, B\u00e9lgica.<\/p>\n

2014 \u2013 15\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MA(Res) Master of Research in Arts & Design, Sint Luca Antwerpen, B\u00e9lgica.<\/p>\n

2013 \u2013 14\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Instituto P\u00f3s-Acad\u00eamico Jan van Eyck Academie, Maastricht, Pa\u00edses Baixos.<\/p>\n

2009 \u2013 11\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MFA, Konstfack University College of Arts Crafts and Design, Estocolmo, Su\u00e9cia.<\/p>\n

2002 \u2013 07\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BA Desenho Industrial, Universidade Federal do Rio de Janeiro, Brasil.<\/p>\n

 <\/p>\n

Residencies<\/strong><\/p>\n

 <\/p>\n

2015<\/p>\n

KulturKontakt, Viena, Austria.<\/p>\n

 <\/p>\n

2014<\/p>\n

Resid\u00eancia Norrk\u00f6ping AIR, Su\u00e9cia.<\/p>\n

 <\/p>\n

2013<\/p>\n

Curatorial School, Jelena Vesi\u0107, 54o<\/sup>\u00a0<\/span>Oktober Salon, Belgrado, Servia.<\/p>\n

 <\/p>\n

2012<\/p>\n

Resid\u00eancia JA.CA Centro de Arte e Tecnologia, Belo Horizonte.<\/p>\n

 <\/p>\n

2010<\/p>\n

Resid\u00eancia ACK Medika Arte, Zagreb.<\/p>\n

 <\/p>\n

2008<\/p>\n

Resid\u00eancia Blanton Museum of Arts, Austin.<\/p>\n

Resid\u00eancia Kashi Art, Kochi.<\/p>\n

 <\/p>\n

2006<\/p>\n

Resid\u00eancia Kanoria Centre for Arts, Ahmedabad.<\/p>\n

 <\/p>\n

Fala de Artista e Oficinas<\/strong><\/p>\n

 <\/p>\n

2015<\/p>\n

Fala The Artist Job-description, Conceptual Art Department, Academy of Fine Arts Vienna, Austria.<\/p>\n

 <\/p>\n

2014<\/p>\n

Norrk\u00f6ping Art Museum, Norrk\u00f6ping.<\/p>\n

Torsdagsseminariet, ISAK; Department for Studies of Social Change and Culture, Link\u00f6ping University, S\u00faecia.<\/p>\n

Sess\u00e3o 6, Apt 557, curador Tobi Maier, S\u00e3o Paulo.<\/p>\n

Conversa com o Artista, Centro Cultural Paschoal Carlos Magno, Niter\u00f3i, Brasil.<\/p>\n

Di\u00e1logos Transdisciplinares with artist Gustavo Speridi\u00e3o, Museu de Arte do Rio,\u00a0Rio de Janeiro.<\/p>\n

 <\/p>\n

2013<\/p>\n

Fala de artista, Jan van Eyck Academie, Maastricht.<\/p>\n

 <\/p>\n

2012<\/p>\n

Workshop Casa da Ivete, JA.CA Jardim Canad\u00e1 Centro de Arte e Tecnologia, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 EAUFMG e DESEJA.CA. Belo Horizonte.<\/p>\n

Rumos Artes Visuais 2011-2013, Ita\u00fa Cultural, S\u00e3o Paulo.<\/p>\n

 <\/p>\n

2008<\/p>\n

Fala de artista, Creative Research Lab, Austin.<\/p>\n

Emerging Artists and Artistic Expression in Brazil, University of Texas, Austin.<\/p>\n

Art Fix: \u201cMeaning of Time\u201d, The Blanton Museum of Art, Austin.<\/p>\n

Oficina de Fotografia e Desenho, Museu Nacional de Artes, La Paz.<\/p>\n

 <\/p>\n

2007<\/p>\n

Arte Contempor\u00e2nea: A Busca por um \u201cnovo olhar\u201d, XI ENEART, UFRJ.<\/p>\n

 <\/p>\n

Published Texts<\/strong><\/p>\n

 <\/p>\n

2014<\/p>\n

Foto-novela, The Living Archive: Curating Feminist Knowledge, 54th<\/sup>\u00a0<\/span>October Salon, Belgrado, Servia.<\/p>\n

If you don\u2019t know the city you dreamed of, coautoria com Adrijana Gvozdenovic, WAYWO, Estocolmo.<\/em><\/p>\n

Classificados, coautor com Adrijana Gvozdenovic, Revista Plataforma, Nova York.<\/p>\n

Souvenirs, About Space. Filip van Dingenen. Van Eyck Academie, Maastricht.<\/p>\n

 <\/p>\n

2012<\/p>\n

Design and the Politics of Fear: an auto-ethnography on design education, coautor com Mahmoud Keshavarz, Zoontechnica: The Journal of Redirective Design. Ed 2, Junho 2012.<\/p>\n

 <\/p>\n

Selected Bibliography<\/strong><\/p>\n

 <\/p>\n

2015<\/p>\n

Artista relaciona crise europeia e ditadura no pa\u00eds em mostra no Rio<\/a>, Silas Mart\u00ed,\u00a0A Folha, S\u00e3o Paulo.<\/p>\n

 <\/p>\n

2014<\/p>\n

Filmar vid sidan om<\/a>, Mats Granberg, Norrk\u00f6ping Tidningar, S\u00faecia.<\/p>\n

\u00c0 Deriva, Felipe Scovino. Convite \u00e0 Viagem, Rumos Ita\u00fa Cultural, Catalogo.<\/p>\n

 <\/p>\n

2013<\/p>\n

Two grand pianos and their stools, Hemant Sarren, Revista Art India, Vol. XVII, Ed IV.<\/p>\n

Garimpo, Elisa Maia, Revista Dasartes. Rio de Janeiro.<\/p>\n

A Conversation About Sculpture<\/a>, Ed. Diana Campbell, Frieze Blog.<\/p>\n

 <\/p>\n

2012<\/p>\n

Traversing Thresholds \u2014 A Showcase of Contemporary Art from Across Asia,
\nMaya K\u00f3vskaya. Positions Asia Critique. Vol. 20.1, Inverno. Duke Press. EUA<\/p>\n

 <\/p>\n

2011<\/p>\n

Infinite Possibility in Vijai Patchineelam\u2019s \u201cSmall Mistakes\u201d and \u201cLittle Accidents\u201d, Maya K\u00f3vskaya. Art Etc. Vol. 2 No. 3. Nova D\u00e9lhi.<\/p>\n

Conviv\u00eancias: Dez anos da Bolsa Iber\u00ea Camargo. Catalogue. Funda\u00e7\u00e3o Iber\u00ea Camargo. Porto Alegre.<\/p>\n

 <\/p>\n

2010<\/p>\n

Leidenschaft, Die Kunst Schafft<\/em>, Evelyn Pyschek. Revista Art Investor. Issue 01, Alemanha.<\/p>\n

Evelyn Pyschek. Annual Art Magazine. 8th Ed. Fran\u00e7a.<\/p>\n

 <\/p>\n

2009<\/p>\n

Once in a Blue Moon, Zehra Jumabhoy. Art India Magazine. Vol. XIV,Edi\u00e7\u00e3o I. Nova D\u00e9lhi.<\/p>\n

Interview: On Residencies<\/a>, Claire Rudd. It might be good\u2026 Austin.<\/p>\n

Back Forth and Round About<\/a>, David Rothenberg. Revista online Evil Monito.<\/p>\n

 <\/p>\n

2008<\/p>\n

A Work in Process<\/a>, Kanitra Fletcher. Revista Portal. Ed 4. Austin.<\/p>\n

Artist Turns Trash<\/a>, Eva Menezes. ABC.com on Campus. EUA.<\/p>\n

Artist Space: Vijai Patchineelam<\/a>, Claire Rudd. It might be good\u2026 Austin.<\/p>\n","protected":false},"featured_media":6627,"template":"","class_list":["post-5470","artista","type-artista","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nVijai Maia Patchineelam ⋆ Cavalo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galeriacavalo.com\/en\/artista\/vijai-patchineelam2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vijai Maia Patchineelam ⋆ Cavalo\" \/>\n<meta property=\"og:description\" content=\"Selected Solo Exhibitions   2017 od danas do sjutra, Cavalo, Rio de Janeiro   2015 Como documentar a imagem do protesto Como projetar a imagem de protesto, CCSP, Centro Cultural S\u00e3o Paulo, Brasil Resistir o passado, ignorar o futuro e a incapacidade de conter o presente,\u00a0MAM, Rio de 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