Eu não confio

On September 24th, Cavalo presents “Eu não confio (I do not trust)”, a group exhibition organized by Ana Clara Tito at the Botafogo space, featuring works by invited artists and those represented by the gallery. Through tensions between image and sculpture, the exhibited works offer different proposals for the generation of body and presence.

Ana Clara Tito presents photo sculptures that reveal traces of a presence yet to come, as well as signs of pasts and futures of both the matter and the body of the image in deterioration.

In his works, Anderson Borba sculpts using various techniques with wood, such as addition and carving, while also employing cut-out images that highlight the presence of color.

Eustáquio Neves, possibly the artist closest to traditional photography among the six, reconstructs memories that intertwine self-portrait and still life through the chemical manipulation of negatives and prints.

Gilson Plano exhibits three sculptures, one of which the artist conceived as a sculptural gesture, hiding pearls in the walls of the gallery. By mobilizing actions between appearance and disappearance, the work never fully presents itself to the eyes.

Iagor Peres presents a sculpture created from an accumulation of solder and a diptych of monotypes made with the traces of a substance he has been developing for several years, which the artist names pelematerial.

Luiz Roque uses film and ceramics to combine biopolitical symbols and codes, interested in the sensations and plasticities that unfold from vision, weaving different temporalities.